Posts Tagged ‘original sketch’

After finishing the baste stitching on the final pattern and trying the dress on, I discovered that the flare at the bottom of the dress is more prominent on one side. This means that there is more fabric on one side of the dress and the seams are not quite right. So, I decided to pull out all of the baste stitching and start again from scratch.

Since both pattern pieces match up evenly and the mistake was made in the pinning process, I did not need to rework the final pattern. To make pinning the dress around the form a bit easier this time, I started out by pinning the front and back panels to each other on all seams. After balancing the material out, draping the sides and finishing pinning, I baste stitched the seams again. I tried the dress on and it appears that the seams are matched up evenly this time. The fit is good and the bottom of the dress flows beautifully when I walk.

Once I was happy with the fit, I put the pattern back on the dress form and stylized the armhole. The armhole turned out to be one of my favorite parts of the dress and it wasn’t even in the original sketch! It dips down underneath the armpit and shows enough skin to look sexy chic and not too over the top. I also started on the pattern for the shell shape that will cover the right breast by cutting a large enough piece of muslin and attaching interfacing in the middle for stiffness. Unfortunately, the stiffness is not enough to hold the material up (the material is pinned to the form in the photo) so I am looking into other options. I read about using pellon interfacing for extreme stiffness and decided to explore that as an option…

After cutting out the bottom panels from muslin, I started to work on the pattern for the top. I can’t imagine how one would be able to draw the pattern out so I decided on the draping method with the help of Draping for Fashion Design by Hilde Jaffe & Nurie Relis. In order to determine the length of muslin I would need, I draped the fabric true to design and cut around it leaving at least 2 inches extra for movement and seam allowance (to be determined).

Once I had the muslin cut and draped for the top, I decided to baste stitch the bottom panels to test out the pattern. I’m very pleased with the skirt panels and didn’t feel the need to make any changes to the original pattern. I then draped both of the panels together to determine overall look and possible changes. The hem was also pinned up to see how the dress would fall. It turned out to be an exact replica of the original sketch. I’m loving it!

My ultimate goal is to somehow combine the top and bottom pattern into one. The design calls for an overall smooth, clean-line look. If I keep the dress in two panels, it comes off as too bridesmaid-y. After the top pattern is completed, I am going to try to combine the panels on paper. We shall see how that goes!