Posts Tagged ‘dart placement’

I bought this beautiful red silk fabric at Mood a few months ago and since I had never worked with a fabric that was this costly, I was terrified to cut into it. I spent many months thinking over the technique…then rethinking…and over thinking… until I finally convinced myself to bite the bullet. I started with a preshrink in the tub using a mild shampoo instead of detergent since the fabric is delicate. The tub water turned blood red and looked incredibly sketchy. The fabric seemed to have lost a lot of dye but the color looks the same as it did at purchase time.

One of the things that I had decided on during the trial pattern process was to go with four panels instead of two. When I originally put the four panel pattern together the bunching on the side looked a lot better than with two panels. After steaming the fabric out, I pinned the patterns in place. This was my first time working with silk and I really had my work cut out for me. It’s very slippery and hard to work with overall. Since it also frays terribly, I used pinking shears to cut it out. Not sure if this is a proper or practiced technique, but it seems to have prevented fraying so far.

I steamed out the bottom panels and pinned them inside out on the dress form. Next step is determining the seam allowances and dart placement.

It’s been quite the productive day. I went ahead with the dart placement on the pencil skirt. The darts, in my opinion, were falling too low. So, I decided to take in the side seams a bit to lessen the fabric in the midsections. I’m much much happier with where the darts fall now. Time to sew!

After sewing the side seams and darts into place, I went ahead and cut away some of the excess fabric and did a finishing stitch on the side seams. The fabric that I am using is linen and it frays terribly! Usually, I would wait until the garment was complete to finish the seams but I felt this was necessary step so the fabric wouldn’t fray too much.

At this point, I tried the skirt on. The fit is spectacular! You’ll never have a better fitting garment than one that is tailor made to your measurements. The only thing that I would like to change is the darts. They need to come down just a few more stitches for a smoother look.

I was able to get started on the waistbands today as well (hence the productivity ☺). After attaching the standard waistband pieces together, I pinned them to the skirt only to find that the seams on the band did not match up with the seams on the skirt. I reattached the band pieces together taking them in enough to match the skirt seams. After stay-stitching it in place, I attached the decorative waistband pieces. I’m really excited about this part because, up until now, this has been a simple skirt making process. Now, I get to add an extra dose of creativity!

On another note, I did some serious sketching last night. After the season premiere of Project Runway topped off with a dose of the Rachael Zoe Project, I was feeling inspired. I’m obsessed (like most of you are) with the red carpet. Gowns are my favorite things in the world to design. My dream would be to see my dresses on Penelope Cruz, Scarlett Johansson and especially Anne Hathaway – the old Hollywood glamor girls of today. Once I start to work on these dresses, I will post the sketches.

I made my monthly pilgrimage today to the Garment District in search of fabric for the skirt I am currently working on. Believe it or not, I found the exact fabric that I was looking for at Paron Fabric’s. Paron is one of my faves because they have a good selection and the people there are helpful. I purchased 1.5 yds (extra for mistakes) of ivory-colored linen with a little stretch.

I opted against interfacing for both waistbands since the fabric is thicker than what I originally had in mind. They should maintain stiffness on their own. After folding and ironing the fabric, I pinned the pattern and cut the pieces out. The skirt panels are pinned at the seams on the dress form and are ready for dart placement tomorrow.

On another note, I found this amazing rust-colored fabric at the store. A few months ago when I conceptualized the Venice line, I designed a rust-colored gown with a built in corset. Needless to say, I am in LOVE with this fabric. It has a wet-shine look to it in certain light and an interesting texture. I spent some time draping the dress form with the fabric for new inspiration and ideas. I’m working on a design based on this concept:

Today, I started to draft the pattern for a skirt designed based upon my inspirational trip to Venice, Italy. I have designed an entire line around this recent trip so, you will see that most of my current projects will contain details representative of Venice and it’s culture, architecture and rich lavish colors. The original design for the skirt (mainly the waistband) was based upon ruffle details seen mostly in Carnival costumes. Walking through Venice, you pass many a shop with decorative masks and costumes designed specifically for the annual Carnevale di Venezia.

I found a basic skirt pattern tutorial in one of my recently purchased books, How to Make Sewing Patterns by Donald H. McCunn. I followed the instructions for the basic straight skirt pattern. However, my design calls for a pencil skirt and a decorative waistband, so some tweaks were made to the initial pattern draft.

After taking my measurements and adjusting my dress form (amazing bday gift!), I created the first pattern draft for the skirt panels.  The only adjustment I made to this first pattern draft, is the cut of the skirt. My design calls for a more pencil skirt look rather than a straight skirt look. So, I used a hip curve ruler to round out the fit. It looks good minus a mistake on the seam allowance on the lower back skirt panels. Not only am I impressed with this book; but I am also impressed with my ability to get this down on paper and make necessary tweaks as I go along. I transferred the pattern draft to Muslin (cheap fabric) and will attempt to stay-stich the pieces together. This will help determine where the darts will be placed and if any changes need to be made to the first pattern draft.

After pinning the garment pieces (inside out) around the dress form and locate the darts, I was thoroughly impressed with the overall look and fit of the main skirt panels. My only concerns are the length of the skirt and the dart placement. The design calls for a “right below the knee” fit. The pattern is falling mid-knee and this is before hemming. So, I decided to add another inch to the length of the pattern draft. I also want to play around with the dart placement a bit.